Tag Archives: digital bolex

Digital Bolex D16 First Cinema DNG Frame

Graded frame from the Digital Bolex D16 Camera.
Graded frame from the Digital Bolex D16 Camera.

On July 8, Joe Rubinstein & Elle Schneider, creators of the Digital Bolex, posted the first Cinema DNG files from the camera on their blog, so people could have a look at the current state of the image. I’ve been pretty slammed with work lately, so I was only just tonight able to take a few minutes to download the files and look at them myself. I chose my favorite frame and brought it into Resolve to play with a couple of grades, and this is what I came up with after a couple minutes’ worth fidgeting (click on the image to view full-size).

The top frame is the raw Cinema DNG file as it was opened in Photoshop. The second frame was graded in Resolve for a natural-looking warm tone, and the third was graded in Resolve for some scary-movie extreme cool tones, obviously. I was impressed with how little noise I saw in the image, and also how well it handled sharpening in Resolve. I put a pretty serious sharpen on it just to see how much it could take, and the edge integrity stayed superior. It was a very smooth image indeed, and it could also take a really heavy grade without breaking up. Skin tones adjusted well, and overall, the image looked very organic; I love that about the D16. Since it makes use of a CCD imager instead of CMOS, the image has a more natural, organic, film-like quality to it. I can’t wait to get my hands on one of these cameras to really put it to the test. I have a ton of old 16mm glass waiting for new life in my gear cabinet.

Digital Bolex D16 Update: Joe & Elle at the SAFILM San Antonio Film Festival

Digital Bolex creators Joe Rubinstein and Elle Schneider were in attendance at the SAFILM San Antonio Film Festival (June 2013) so local filmmakers could get a glimpse of the new Digital Bolex D16 Super-16 digital cinema camera. Joe and Elle talked about new developments and upcoming accessories and lenses for the D16. BTW I’m sorry about the rather intrusive background music in the vide; that was the PA at the Palladium IMAX Theater.

Watch this video on YouTube or on Easy Youtube.

2013 NAB Show Highlight Reel No.1

Cooke 40mm T2.3 2X Anamorphic Prime Lens
Cooke 40mm T2.3 2X Anamorphic Prime Lens

I’ve decided that since there is so much cool new stuff to see at NAB, the best way to get the most bang for my buck on coverage is to make highlight reels of my favorite attractions. So that’s what I’m doing. Here is the first highlight reel, featuring products like the Blackmagic 4K Production Camera, the Blackmagic Pocket Cinema Camera, the Atomos Samurai Blade ProRes & DNxHD field recorder, and the new Cooke 2X Anamorphic Prime Lens.

Watch this video on YouTube or on Easy Youtube.

The next highlight reel will feature the Digital Bolex, the new MoVI camera stabilizer, and more! I’m heading down to the show floor as soon as I finish typing this coming exclamation point!

2013 NAB Show – Interview with Digital Bolex Creator Joe Rubinstein – Part 2

Digital Bolex S16 Cinema Camera - cinematography
Digital Bolex S16 Cinema Camera

On my first day at NAB 2013, I ran into Digital Bolex creator Joe Rubinstein, who was kind enough to tell me about the new cinema camera that every cinematographer is dying to get their hands on. Joe was really nice, and I really enjoyed talking with him about his camera; it was obvious that he is just as passionate about the Digital Bolex, and what it means to cinematographers, as are the camera nerds who are waiting for it to ship.

In part 2 of the interview, Joe talks about the software the comes with the Digital Bolex, as well as the workflow for the 2K Cinema DNG files it writes to CF cards.

In case you haven’t heard about the Digital Bolex, it’s a Kickstarter-funded Super 16 cinema camera that shoots in RAW Cinema DNG format. Since it features a smaller 16mm size imager (CCD too, which means NO rolling shutter), it can make use of a myriad of older 16mm and C-mount lenses that have largely fallen into disuse since the rise in popularity of DSLR’s and other larger-chip digital cameras. Check out part 2 of my interview with Joe Rubinstein below.

Watch this video on YouTube or on Easy Youtube.

2013 NAB Show – Interview With Digital Bolex Creator Joe Rubinstein – Part 1

Digital Bolex S16 Cinema Camera - cinematography
Digital Bolex S16 Cinema Camera

On my first day at NAB 2013, I ran into Digital Bolex creator Joe Rubinstein, who was kind enough to tell me about the new cinema camera that every cinematographer is dying to get their hands on. Joe was really nice, and I really enjoyed talking with him about his camera; it was obvious that he is just as passionate about the Digital Bolex, and what it means to cinematographers, as are the camera nerds who are waiting for it to ship.

In part 1 of the interview, Joe talks about the camera body and lens options that will be available for it, including the custom Digital Bolex prime lenses that were designed in a partnership with Kish Optics.

In case you haven’t heard about the Digital Bolex, it’s a Kickstarter-funded Super 16 cinema camera that shoots in RAW Cinema DNG format. Since it features a smaller 16mm size imager (CCD too, which means NO rolling shutter), it can make use of a myriad of older 16mm and C-mount lenses that have largely fallen into disuse since the rise in popularity of DSLR’s and other larger-chip digital cameras. Check out part 1 of my interview with Joe Rubinstein below.

Watch this video on YouTube or on Easy Youtube.