I had a job last weekend, directing and shooting a commercial for a prominent local plastic surgeon. The client wanted a cinematic look, with models in various scenes shot in a fancy house. Check. With my 1AC, Dave Novak, and Supergrip Greg Ventura, we knocked it out in what ended up being a really fun day of shooting.
Since the client wanted a cine look, I of course used my Panasonic AF100 to shoot the spot, relying on Zeiss primes and a Canon 16-35/2.8 L II to refract the light for me. Footage was recorded via HD-SDI to an AJA Ki Pro Mini.
The client wanted everything to be in slow motion, so in order to get the footage onto the AJA recorder, I had to shoot in 720/60p and convert to 30p in post, as the Ki Pro Mini does not support variable frame rate mode… yet. Hopefully a firmware update will fix that problem soon, and yes, it is a problem. To be fair though, I don’t know of a recorder that does support 1080p/60 yet, although I think the Cinedeck might. At $10k though, I’m not even going to bother to go to their website to check.
Since I knew the client was going to want a significant amount of post processing, I wasn’t about to record to AVCHD; I had to go 4:2:2 out to the Ki Pro Mini.
The shoot went really well, and I’m very happy with the results. The best thing about this shoot is that this job allowed me to pull the trigger and order my copy of DaVinci Resolve, so I can finally update my color grading capabilities into the 21st century. It should arrive Friday. I can’t wait to try it out on this commercial!
BTW, I learned on this shoot that although they are of the finest glass, Schneider filters still won’t survive a fall onto a large rock. Take that wisdom with you into the future.