In the same presentation, actor and director Eli Roth also spoke about his series, “Hemlock Grove” and why he is enthused about bringing content to internet-based services such as Netflix. Hurwitz and Roth both had some really cool ideas about new ways to bring content to audiences via the internet, and I left the presentation with a few ideas of my own. I’m glad I attended!

Panasonic AF100 camera
Nikon 17-35/2.8D
Tokina 11-16/2.8
Nikon 80-200/2.8D
Nikon 50/1.4D
Nikon-MFT adapter
Redrock Micro LiveLens Canon mount
On-Camera LED light
Sennheiser shotgun mic w/dead cat
Sennheiser hand-held mic
Nikon D3 body
Atomos Samurai kit (SSD & HDD)
MacBook Pro 15
Nikon SB910 strobe
ten pounds of batteries chargers and cables

And in my two checked bags:
Tripod
Monopod
Redrock Micro rails with pistol grip, shoulder mount, iKan FF, and Noga arm for the Samurai. Note I have left no room for clothing. I will probably just pack it in my tripod bag. Hey, I know what’s important.

EPSON Moverio BT-100 Wearable Display

Color me sold on the new EPSON Moverio BT-100 wearable display. The Android-powered see-thru spectacles feature an ergonomic WiFi-enabled remote, are 3D-ready, and project an image in front of the wearer’s eyes that simulate an 80-inch display being viewed from five meters. And at a price of 699.00, they are actually affordable, especially considering the cost of an 80-inch display.

After laying eyes on the new specs, my first two questions were: Can I play WoW on them, and can I hook them up as a monitor to my Panasonic AF100 camera. Because, let’s face it, shooting run and gun video with the BT-100 would be incredible, even with the increased probability of injury-by-open-manhole. However, from what I can see so far, the BT-100 does not have an HDMI port, so I’m probably going to end up disappointed… So, no deal for me.

Canon EOS 1DX

In case you were wondering just how sophisticated the autofocus system is going to be on Canon’s new flagship camera, the EOS 1DX, here is a link to download the EOS 1DX autofocus setting guidebook. It looks to be right fancy, indeed… It almost makes me wish I hadn’t switched to Nikon, after shooting Canon professionally for twenty years. Almost. Honestly, though, when the AF system in your camera is getting to be this sophisticated — and you need it to be — I dare say you might be using the AF system as a crutch and not a tool. I’ve been a press shooter for a long time, and I don’t think I’ve ever run into a situation (since the days of modern AF anyway – we’ll say around the time of the EOS 1V) that I couldn’t get my shot from because my AF system just wasn’t smart enough. Faster is always better, but this system has so many options, I’m almost certain that we’ve witnessed the birth of Skynet.

Unboxing the Atomos Samurai

My Atomos Samurai arrived yesterday, and after trekking to AllTex Electronics to pick up an SSD drive, I finally had a chance to try out the little recorder that I’ve had my eye on since I first saw it behind glass at NAB in 2010. The only SSD that AllTex had in stock that was fast enough, and not insanely expensive, was the 90GB Corsair Force SATA 3. It was not on the Atomos approved list of drives, but I figured with a peak write rate of around 500MB/sec it was plenty fast to record ProRes422 (HQ), which puts data down at around 220MB/sec, give-or-take. It was strange, though, that there was absolutely no information in the Corsair tech specs at the store about the drive’s sustained write rate. I decided to take a gamble on it, and sure enough, it seems to work just fine. After recording a single fifty-five-minute take in ProRes422 (HQ), I didn’t get a single glitch from the drive.

Samurai case contents (clockwise from top-left): Samurai recorder; regional power plug adapters; SSD caddies (2); SSD Dock; Dual Battery Charger; Batteries (2)

First Impression:
If I had to choose one word to summarize my unboxing experience of the Atomos Samurai, it would be, “impressive.” The unit comes in its own custom hard case, similar to a Pelican, with custom foam inserts and an included shoulder strap. In this case is everything you need to get started using your Samurai, including the recorder, SSD dock, batteries (2), charger, USB cable, USB bus power cable for the dock, and a FW800 cable. An especially-appreciated inclusion were two (2) BNC to Mini BNC adapter cables for your camera’s SDI feed, so that’s one less thing you would have to order separately, as you would with other recorders on the market. In fact, the ONLY two things you have to supply separately of what is in the Samurai’s case is the SDI cable that leads from your camera, and the hard drives to record to.

Detail of the Atomos Samurai unit

Atomos Samurai I/O (from left): HD/SDI in/out (record loop-thru/Playback); LANC Control; Stereo in/out/headphone

Immediately after opening the case, it was obvious how nice the build quality is. The Samurai unit and the dock are both very well put-together, and I immediately fell in love with the fact that the dock is bus-powered; you don’t have to plug it into shore power, and this is so incredibly handy for field work. I was also impressed with how well the SSD fit snugly into the drive caddy. Tolerances through the system seem to be engineered very precisely; seams are nice and even, components fit together tightly, and the drive caddy fits into the Samurai with a nice snug click that inspires confidence.

(clockwise from left) USB cable; power adapter for battery charger; regional power plug adapters; SDI-MiniSDI adapter cables

FireWire 800 cable (upper left) and USB power cable

There were some other features about the package that I thought were just plain cool right out of the gate. The battery charger not only has two slots for batteries, but it also charges those two batteries simultaneously, which most dual chargers do not do. Also, Atomos has included four different standards of plug adapters for the charger, so if you’re traveling, you don’t have to worry about powering your Samurai… Just the rest of your gear, which likely did not include this amenity at time of purchase. Yet another nice touch.

I didn’t think I was going to have anything to shoot that first night after getting the Samurai, but as luck would have it, my friend, comedian Jay Whitecotton called, and had something to shoot. We’re working on a documentary together, and it turned out that night was opportune to shoot something. I recorded a single take that was fifty-five minutes long in Apple ProRes422 (HQ). The file size was about 60GB. At the end of the night, the power meter on the Samurai showed that I had used less than 1/4 of one battery. Good power consumption? Check.

Next: Using the Samurai