Category Archives: NAB

Sony Has Some Cool Stuff at NAB

Sony has some really nice presentations at NAB this year. I enjoyed the presentation by Dave Stump, ASC, about futureproofing your film and the new workflow for upcoming color standards in cinematography, specifically, working in ACES, color space comparisons, and more. Very cool stuff.

Dave Stump talks about color spaces in the Sony space at NAB 2016.
Dave Stump talks about color spaces in the Sony space at NAB 2016.

The big eye-catcher for the Sony booth was their huge 4K HDR LED display, which was, in a word, gorgeous. The photo doesn’t do it justice.

Sony 4K HDR display wall at NAB Show 2016
Walking up to the Sony booth at NAB Show 2016
NAB attendees watch a video on the giant 4K HDR display at the Sony booth, NAB Show 2016.
NAB attendees watch a video on the giant 4K HDR display at the Sony booth, NAB Show 2016.

And of course, Sony had all of their goodies on display for our enjoyment and envy. There was a lot of opportunity to handle the gear and get familiar with it.

The Sony exhibit space at NAB Show 2016
The Sony exhibit space at NAB Show 2016

NAB 2013 Show Highlight Reel No. 2

I decided that since there was so much cool stuff to see at NAB, the best way to get the most coverage is to make highlight reels of my favorite items. So that’s what I’m doing. Here is the second highlight reel, featuring products like the Freefly MoVI camera stabilizer, the Atomos Connect HD-SDI to HDMI converter, the Redrock Micro One Man Crew motorized parabolic slider, the Schneider TS-PC 50mm f/2.8 lens, the MTF Effect Canon EF lens controller, and a shark. Check it out!

Watch this video on YouTube or on Easy Youtube.

Watch this video on YouTube or on Easy Youtube.

Sound Devices Adds 12-bit 4:4:4 Apple ProRes4444 support to Pix 240 & Pix 240i SSD Recorders

Sound Devices Pix 240i digital field recorder
Sound Devices Pix 240i

Sound Devices has added the ability to record 12-bit 4:4:4 over 3G-SDI (4:4:4 RGB/YCbCr) to its Pix 240 digital field recorder, laying down information at 330Mb/sec. Who can take advantage of this? If you’re shooting with a Canon C500, Sony F3, F5, F55, or Arri Alexa, you can. Also, some of the big Panasonic Varicams, as well as others. Let’s face it, if you have a 4:4:4 camera, you know it.

The upgrade is available to all current Pix 240 and Pix 240i customers free of charge (nice). From the Sound Devices press release:

SOUND DEVICES HIGHLIGHTS NEW 4:4:4 FEATURE FOR PIX 240 AND 240i AT THE 2013 NAB SHOW
Video Recorders Can Now Record 12-Bit, 4:4:4 Content to Apple ProRes 4444
LAS VEGAS, APRIL 4, 2013 — For attendees in search of the latest 4:4:4 recording solutions, Sound Devices showcases its latest upgrade to PIX 240 and PIX 240i Production Video Recorders at the 2013 NAB Show (Booth C2849). This new major update, available for all PIX customers free of charge, offers Apple ProRes 4444 recording from video sources over 3G-SDI (4:4:4 RGB or YCbCr). Recording 4:4:4 offers productions superior color precision for applications in chroma-keying, color-grading and multi-generational editing.
 
PIX 240 and 240i users now have the ability to record into Apple ProRes 4444, which offers impressive quality with 4:4:4 sources and workflows involving alpha channel transparency. With its 12-bit, 4:4:4 capability, the PIX 240 and 240i can record 330-Mbps Apple ProRes 4444 files that are perceptually indistinguishable from the original source material. Popular cameras with 4:4:4 capable outputs include the ARRI ALEXA, Canon C500 and Sony F3.
 
“Sound Devices is pleased to feature this latest firmware update at NAB, as we know this is an important feature to many of our users and we foresee this capability being a hot topic at this year’s show,” says Paul Isaacs, Technical Development Manager, Sound Devices. “Bringing Apple ProRes 4444 recording over 3G-SDI to the PIX 240 and 240i offers additional color accuracy available in a 4:4:4 environment—reinforcing the PIX recorder as a master-grade production recorder suitable for the most demanding production applications.”
 
Additional features available in this latest v3.0 firmware update include time-code and recording status displays on the SDI and HDMI outputs, up to 500 ms of audio delay to compensate for multi-device picture delay, and selectable 4:4:4 or 4:2:2 video output independent from the source material.
 
Users can connect PIX 240 and 240i to cameras with HD-SDI, 3G-SDI, or HDMI and record directly to QuickTime using a range of different Apple ProRes or Avid DNxHD codecs, including Apple ProRes 4444. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making for simpler, faster workflows.
 
The PIX 240i’s high-performance five-inch, IPS-based LCD display is an accurate field monitor, providing users with immediate confirmation of framing, exposure, focus,  audio metering and setup menu selections. It offers excellent color accuracy and contrast, great off-axis visibility and accurate motion tracking.
 
The built-in hardware scaler and frame rate converter allows PIX to output and record material at different resolutions and frame rates than supported by the camera. Conversion between HD and SD, with and without anamorphic conversion, is available.
 
The audio circuitry of the PIX recorders is based on Sound Devices’ award-winning 7-Series digital audio recorders. The low-noise (-128 dBu EIN), high-headroom, high-bandwidth inputs are mic/line switchable and include limiters, high-pass filters and phantom power.
 
The HDMI-only PIX 220 and PIX 220i video recorders also gain new features available in the new version 3.0 update, including Apple ProRes 4444 recording, time-code and recording status displays on HDMI outputs, and up to 500 ms of audio delay to compensate for multi-device picture delay.
 
Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

2013 NAB Show Highlight Reel No.1

Cooke 40mm T2.3 2X Anamorphic Prime Lens
Cooke 40mm T2.3 2X Anamorphic Prime Lens

I’ve decided that since there is so much cool new stuff to see at NAB, the best way to get the most bang for my buck on coverage is to make highlight reels of my favorite attractions. So that’s what I’m doing. Here is the first highlight reel, featuring products like the Blackmagic 4K Production Camera, the Blackmagic Pocket Cinema Camera, the Atomos Samurai Blade ProRes & DNxHD field recorder, and the new Cooke 2X Anamorphic Prime Lens.

Watch this video on YouTube or on Easy Youtube.

The next highlight reel will feature the Digital Bolex, the new MoVI camera stabilizer, and more! I’m heading down to the show floor as soon as I finish typing this coming exclamation point!

2013 NAB Show – Interview with Digital Bolex Creator Joe Rubinstein – Part 2

Digital Bolex S16 Cinema Camera - cinematography
Digital Bolex S16 Cinema Camera

On my first day at NAB 2013, I ran into Digital Bolex creator Joe Rubinstein, who was kind enough to tell me about the new cinema camera that every cinematographer is dying to get their hands on. Joe was really nice, and I really enjoyed talking with him about his camera; it was obvious that he is just as passionate about the Digital Bolex, and what it means to cinematographers, as are the camera nerds who are waiting for it to ship.

In part 2 of the interview, Joe talks about the software the comes with the Digital Bolex, as well as the workflow for the 2K Cinema DNG files it writes to CF cards.

In case you haven’t heard about the Digital Bolex, it’s a Kickstarter-funded Super 16 cinema camera that shoots in RAW Cinema DNG format. Since it features a smaller 16mm size imager (CCD too, which means NO rolling shutter), it can make use of a myriad of older 16mm and C-mount lenses that have largely fallen into disuse since the rise in popularity of DSLR’s and other larger-chip digital cameras. Check out part 2 of my interview with Joe Rubinstein below.

Watch this video on YouTube or on Easy Youtube.

2013 NAB Show – Interview With Digital Bolex Creator Joe Rubinstein – Part 1

Digital Bolex S16 Cinema Camera - cinematography
Digital Bolex S16 Cinema Camera

On my first day at NAB 2013, I ran into Digital Bolex creator Joe Rubinstein, who was kind enough to tell me about the new cinema camera that every cinematographer is dying to get their hands on. Joe was really nice, and I really enjoyed talking with him about his camera; it was obvious that he is just as passionate about the Digital Bolex, and what it means to cinematographers, as are the camera nerds who are waiting for it to ship.

In part 1 of the interview, Joe talks about the camera body and lens options that will be available for it, including the custom Digital Bolex prime lenses that were designed in a partnership with Kish Optics.

In case you haven’t heard about the Digital Bolex, it’s a Kickstarter-funded Super 16 cinema camera that shoots in RAW Cinema DNG format. Since it features a smaller 16mm size imager (CCD too, which means NO rolling shutter), it can make use of a myriad of older 16mm and C-mount lenses that have largely fallen into disuse since the rise in popularity of DSLR’s and other larger-chip digital cameras. Check out part 1 of my interview with Joe Rubinstein below.

Watch this video on YouTube or on Easy Youtube.

Blackmagic Cinema Camera at NAB Show 2012 – Blackmagic Design

While roaming the NAB Show floor with my Panasonic AF100, I stopped to interview Dan May of Blackmagic Design, who talks about their new Blackmagic Cinema Camera (Canon EF mount only), which can record in RAW at a resolution of up to 2.5K. It is the first camera I’ve seen to feature a Thunderbolt out port for recording in highest resolution. This tells me that we can expect a lot more Thunderbolt accessories from Blackmagic in the near future. Personally, I find it unfortunate that Blackmagic has chosen to release the camera in EF mount only. I would think that Micro 4/3 would have been a much better choice considering it is a much more versatile mount. What do you think?

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Carl Zeiss Compact Zoom 70-200 T2.9 at 2012 NAB Show in Las Vegas

Helmut Lenhof shows us the new Carl Zeiss Compact Zoom T2.9 on the floor at the NAB Show in Las Vegas. The new lens covers a full stills frame at 24x36mm, which means Canon 5D Mark II, Mark III, Nikon D4, and Nikon D800 users will be able to make use of it as well. The lens will list for about $19,900. Save your pennies.

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New Episodes of Arrested Development Discussed at Content Theater During NAB Show 2012

While covering the NAB Show floor today with my AF100, I attended a special event where Mitchell Hurwitz, the creator of hit TV show Arrested Development, talked to an audience, along with members of the Arrested Development cast (Will Arnett, Jeffrey Tambor, David Cross, Jessica Walter, and Alia Shawkat) about bringing Arrested Development to Netflix and the creation of new episodes, at the Content Theater in the South Hall of the NAB Show in Las Vegas, Nevada.

Watch this video on YouTube or on Easy Youtube.

In the same presentation, actor and director Eli Roth also spoke about his series, “Hemlock Grove” and why he is enthused about bringing content to internet-based services such as Netflix. Hurwitz and Roth both had some really cool ideas about new ways to bring content to audiences via the internet, and I left the presentation with a few ideas of my own. I’m glad I attended!

Watch this video on YouTube or on Easy Youtube.

New Announcements from Atomos at NAB Show 2012

I had the chance to interview Atomos CEO Jeromy Young at NAB, and he told us some very cool news about some upcoming products and updates, including the new Ninja 2 and the AtomOS 3.0 update, which will be released on April 30, free for Ninja 2 and Samurai users. Original Ninja customers will not be able to apply the upgrade (I’m betting due to hardware limitations), but Jeromy says that an economical upgrade path will be provided for original Ninja customers. Check out the video below!

Watch this video on YouTube or on Easy Youtube.